TALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE
Identifieur interne : 000769 ( Main/Exploration ); précédent : 000768; suivant : 000770TALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE
Auteurs : John MilsomSource :
- Music and Letters [ 0027-4224 ] ; 1996.
English descriptors
- Entity :
- org : Congress, Oxford University, San Marino, Henry E, University of London Library, University of Oxford.
- pers : Alan Brown, Albi Rosenthal, An Introduction, Andrea Antico, Antonio Gardano, Brown, Charlton Hinman, Chi Ch, Christ Church, Craig Monson, Daniel Heartz, David L. Jackson, David Shaw, Donald W. Krummel, Donna G. Cardamone, Edmund H. Fellowes, Edward Taylor, Even Byrd, G. Thomas, George Soaper, H. Edmund, Having, Henry Aldrich, Henry Huth, Hinman, Iain Fenlon, Ian Bent, James A. Riddell, Jane Bernstein, Jeffrey Dean, Johannes Palgrave, John Baldwin, John Dowland, John Milsom, John Morehen, Joseph Warren, Journal, King Lear, Kristine K. Forney, Lai La, Lawrence F. Bernstein, Library, Margaret Bent, Marian Masses, Mary Lewis, Mary S. Lewis, Monson, My Ladye, N. London, Nicholas Okes, Orlando di Lasso, Percy A. Scholes, Percy Simpson, Peter Blayney, Philip Brett, Philip Gaskell, Pierre Attaingnant, Queen Elizabeth, Richard Rastall, Robert Spencer, Ronald B. McKerrow, Stanley Boorman, Stanley Sadie, T. Taffis, The, Thomas Evans, Thomas Fidge, Thomas Hamond, Thomas Tallis, Trinity College, V. Voci, Werstine, William Byrd, William Chappell, William Crotch, William Heyther, William Rokeby.
- place : Berkeley, Brussels, Cambridge, Chicago, Dublin, England, Leeds, London, Los Angeles, Mulcaster, Munich, Poole, Venice, York.
- Teeft :
- Alan brown, Analytical bibliography, Antonio gardano, Bibliographical, Bibliographical description, Bibliographical study, Bibliography, Bodleian library, Boethius press facsimile, British library, Byrd edition, Cantiones, Cantiones sacrae, Cautionary note, Charlton hinman, Christ church, Compositor, Contratenor, Correction, Craig monson, Daniel heartz, Descriptive bibliography, Different view, Discantus, Discantus partbook, Early music, Early owner, Early ownership, Early stage, Emendation, English music, Entire forme, Extant copy, Facsimile, Facsimile edition, Fewer copy, Final state, Fine adjustment, First folio, First page, First sight, Folger shakespeare library, Folio, Forme, Formes, Fredson bower, Further copy, Further correction, Grove handbook, Henry aldrich, Hinman, House style, Ideal copy, Ideal state, Ideo deprecor, In forme, John milsom, King lear, Late stage, Likely explanation, Literary text, Littleton collection, London library, Majority reading, Manuscript addition, Manuscript correction, Many editor, Many sheet, Mihi autem nimis, Minim, Minim rest, Miserere nostri, Misprint, Monson, More compositor, Movable type, Music book, Music printing, Music publication, Music type, Other change, Other copy, Other page, Out forme, Oxford companion, Partbook, Partbooks, Philip brett, Philip gaskell, Pierre attaingnant, Present binding, Present study, Press variant, Principal observation, Printing history, Printing house, Proof correction, Provenance, Provenance unknown, Random assembly, Robert spencer, Royal academy, Royal college, Royal patent, Sacrae, Sacrum convivium, Second page, Secunda par, Seventeenth century, Sexta par, Shakespeare first folio, Single compositor, Single copy, Single impression, Sixteenth century, Small adjustment, Special case, Stanley boorman, Stoppress correction, Superius, Superius partbook, Tallis, Text placement, Third note, Thurston dart, Tract volume, Uncorrected, Uncorrected in forme, Uncorrected sheet, Uncorrected state, Valiant effort, Variant forme, William byrd, William vocal music.
Url:
DOI: 10.1093/ml/77.3.348
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<term>University of London Library</term>
<term>University of Oxford</term>
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<keywords scheme="Entity" type="pers" xml:lang="en"><term>Alan Brown</term>
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<term>An Introduction</term>
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<term>David Shaw</term>
<term>Donald W. Krummel</term>
<term>Donna G. Cardamone</term>
<term>Edmund H. Fellowes</term>
<term>Edward Taylor</term>
<term>Even Byrd</term>
<term>G. Thomas</term>
<term>George Soaper</term>
<term>H. Edmund</term>
<term>Having</term>
<term>Henry Aldrich</term>
<term>Henry Huth</term>
<term>Hinman</term>
<term>Iain Fenlon</term>
<term>Ian Bent</term>
<term>James A. Riddell</term>
<term>Jane Bernstein</term>
<term>Jeffrey Dean</term>
<term>Johannes Palgrave</term>
<term>John Baldwin</term>
<term>John Dowland</term>
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<term>Joseph Warren</term>
<term>Journal</term>
<term>King Lear</term>
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<term>Lai La</term>
<term>Lawrence F. Bernstein</term>
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<term>Marian Masses</term>
<term>Mary Lewis</term>
<term>Mary S. Lewis</term>
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<term>My Ladye</term>
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<term>Philip Brett</term>
<term>Philip Gaskell</term>
<term>Pierre Attaingnant</term>
<term>Queen Elizabeth</term>
<term>Richard Rastall</term>
<term>Robert Spencer</term>
<term>Ronald B. McKerrow</term>
<term>Stanley Boorman</term>
<term>Stanley Sadie</term>
<term>T. Taffis</term>
<term>The</term>
<term>Thomas Evans</term>
<term>Thomas Fidge</term>
<term>Thomas Hamond</term>
<term>Thomas Tallis</term>
<term>Trinity College</term>
<term>V. Voci</term>
<term>Werstine</term>
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<term>William Crotch</term>
<term>William Heyther</term>
<term>William Rokeby</term>
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<term>Brussels</term>
<term>Cambridge</term>
<term>Chicago</term>
<term>Dublin</term>
<term>England</term>
<term>Leeds</term>
<term>London</term>
<term>Los Angeles</term>
<term>Mulcaster</term>
<term>Munich</term>
<term>Poole</term>
<term>Venice</term>
<term>York</term>
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<keywords scheme="Teeft" xml:lang="en"><term>Alan brown</term>
<term>Analytical bibliography</term>
<term>Antonio gardano</term>
<term>Bibliographical</term>
<term>Bibliographical description</term>
<term>Bibliographical study</term>
<term>Bibliography</term>
<term>Bodleian library</term>
<term>Boethius press facsimile</term>
<term>British library</term>
<term>Byrd edition</term>
<term>Cantiones</term>
<term>Cantiones sacrae</term>
<term>Cautionary note</term>
<term>Charlton hinman</term>
<term>Christ church</term>
<term>Compositor</term>
<term>Contratenor</term>
<term>Correction</term>
<term>Craig monson</term>
<term>Daniel heartz</term>
<term>Descriptive bibliography</term>
<term>Different view</term>
<term>Discantus</term>
<term>Discantus partbook</term>
<term>Early music</term>
<term>Early owner</term>
<term>Early ownership</term>
<term>Early stage</term>
<term>Emendation</term>
<term>English music</term>
<term>Entire forme</term>
<term>Extant copy</term>
<term>Facsimile</term>
<term>Facsimile edition</term>
<term>Fewer copy</term>
<term>Final state</term>
<term>Fine adjustment</term>
<term>First folio</term>
<term>First page</term>
<term>First sight</term>
<term>Folger shakespeare library</term>
<term>Folio</term>
<term>Forme</term>
<term>Formes</term>
<term>Fredson bower</term>
<term>Further copy</term>
<term>Further correction</term>
<term>Grove handbook</term>
<term>Henry aldrich</term>
<term>Hinman</term>
<term>House style</term>
<term>Ideal copy</term>
<term>Ideal state</term>
<term>Ideo deprecor</term>
<term>In forme</term>
<term>John milsom</term>
<term>King lear</term>
<term>Late stage</term>
<term>Likely explanation</term>
<term>Literary text</term>
<term>Littleton collection</term>
<term>London library</term>
<term>Majority reading</term>
<term>Manuscript addition</term>
<term>Manuscript correction</term>
<term>Many editor</term>
<term>Many sheet</term>
<term>Mihi autem nimis</term>
<term>Minim</term>
<term>Minim rest</term>
<term>Miserere nostri</term>
<term>Misprint</term>
<term>Monson</term>
<term>More compositor</term>
<term>Movable type</term>
<term>Music book</term>
<term>Music printing</term>
<term>Music publication</term>
<term>Music type</term>
<term>Other change</term>
<term>Other copy</term>
<term>Other page</term>
<term>Out forme</term>
<term>Oxford companion</term>
<term>Partbook</term>
<term>Partbooks</term>
<term>Philip brett</term>
<term>Philip gaskell</term>
<term>Pierre attaingnant</term>
<term>Present binding</term>
<term>Present study</term>
<term>Press variant</term>
<term>Principal observation</term>
<term>Printing history</term>
<term>Printing house</term>
<term>Proof correction</term>
<term>Provenance</term>
<term>Provenance unknown</term>
<term>Random assembly</term>
<term>Robert spencer</term>
<term>Royal academy</term>
<term>Royal college</term>
<term>Royal patent</term>
<term>Sacrae</term>
<term>Sacrum convivium</term>
<term>Second page</term>
<term>Secunda par</term>
<term>Seventeenth century</term>
<term>Sexta par</term>
<term>Shakespeare first folio</term>
<term>Single compositor</term>
<term>Single copy</term>
<term>Single impression</term>
<term>Sixteenth century</term>
<term>Small adjustment</term>
<term>Special case</term>
<term>Stanley boorman</term>
<term>Stoppress correction</term>
<term>Superius</term>
<term>Superius partbook</term>
<term>Tallis</term>
<term>Text placement</term>
<term>Third note</term>
<term>Thurston dart</term>
<term>Tract volume</term>
<term>Uncorrected</term>
<term>Uncorrected in forme</term>
<term>Uncorrected sheet</term>
<term>Uncorrected state</term>
<term>Valiant effort</term>
<term>Variant forme</term>
<term>William byrd</term>
<term>William vocal music</term>
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